| Lynda's notes (Aug 29, 2001) on its relationship to Okal Rel Universe
Portrayal
of stereotypically male traits in Vrellish females (particularly
to do with sexual aggression) and stereotypically female traits
in Golden Demish (of both genders) was so purposeful in the creation
of Sevildom that Alison and I have often talked about the Golden
Demish genome being solely female to start, and the Vrellish one
solely male. In each case the "other" gender was an after
thought. Something of a play on the Christian creation myth if you
come to think of it, where Eve is created from Adam's rib. Or a
fictional framing of the question: What is the minimal difference
required to make one gender function, for the purposes of sexual
reproduction, like the other one?
I was not, however, thinking in terms of Vrellish women - or the
Vrellish in general - being "codedly masculine", since
I was not aware of that concept per se at the time. What
I was thinking of is described in the Vrellish
Essay, written for a British conference and accepted as a virtual
submission.
Reading Keslo's article about Bujold's hero, Miles, set me thinking
more along the lines of whether Amel
is 'codedly feminine', which I take to mean: Does he represent female
issues or character traits played out through a male persona.
It wouldn't take a genius to recognize that Amel's problems in
Throne Price (release date May 2002) are typically female
ones. Not only is he struggling to keep the family together without
bloodshed, but he is the focus of sexual aggression and considered
psychologically "weak" although he is far from being so.
Sexually, however, he is unambiguously male and heterosexual. And
I have never found his "feminine" sensibilities unattractive
to me as a heterosexual female. What does that mean? Who knows.
All I am consciously aware of was being bored with stereotypically
heroes and heroines, intrigued by asking questions about trait swapping,
and - I confess - interested in dwelling on sexy males.
Or maybe I am deeply disturbed and confused, stemming from my tendency
to role play the male leads in games and stories I invented in my
childhood.
But I am female! I have three children to prove it, too. Even if
I was once accused by a self-styled feminist, during my undergraduate
days, of being mentally male.
Oh dear. It brings to mind the saying I invented about gender somewhere
in my cocky twenties, when irritated by extremists of either persuasion.
"There are three genders. Men, women and intelligent human
beings who can be either one or the other."
I've progressed from resisting all notion of mental differences
to reluctant acceptance that they do exist, statistically, and together
with testosterone levels accounts for a lot of variation in general
behavior. :-) But I am still of the opinion that the similarities
between thinking, self-conscious men and women are much greater
than the differences and that it behooves us to stretch our minds
to think that way more often. The rest is about power struggles
not enjoying sexuality.
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The term: Coded Feminine
I came across the term "codedly feminine" for
the first time in an essay by Sylvia Kelso, a faculty member at James
Cook University of North Queensland in Australia. The essay, entitled
Loud
Achievements: Lois McMaster Bujold's Science Fiction, was written
for the New York Review of Science Fiction, but I found it on Lois McMaster
Bujold's fan site. (Okal Rel Universe co-author Alison Sinclair sent me
the URL, in fact. My contribution was managing to cut and paste it into
a browser after about six months of sitting in the e-mail backlog of things
I'd like to check out.)
I found Sylvia Kelso's article provocative enough that I
e-mailed her, which resulted in a pleasant exchange which was a second
plus. Syliva writes science fiction and fantasy herself, as well as scholarly
criticism. And she knew Alison's solo work! The novel Blueheart
in particular.
Web Search ... well, a bit of a meander, really.
A google
search for "coded feminine" will net you quite a mixed bag,
but going after "Robin Roberts" was a bit more fruitful. Roberts
is cited in Kelso's article as the source of the 'coded feminine' idea
as it applies to female traits being played out in male protagonists (or
aliens) in science fiction, in particular. 'Coded feminine' as a concept
in literary circles, sans the SF/fantasy connection, appeared to be a
far larger topic, bound primarily to gender and/or cultural studies.
Sexual
Generations: Star Trek the Next Generation and Gender, by Robin Roberts,
is a book bearing strongly on the issue which I found a page for on the
press site for the University of Illinois. Elsewhere I found a reference
to "Robin
Roberts, a professor of Women’s and Gender Studies" in the Louisiana
State University English department" who is also the author of "A
New Species: Gender and Science in Science Fiction."
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